Wuppertal vs El Torreón

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Wuppertal (German pronunciation: [ˈvʊpɐtaːl] (listen)) is a city in North Rhine-Westphalia, Germany, in and around the Wupper valley, east of Düsseldorf and south of the Ruhr. With a population of approximately 350,000, it is the largest city in the Bergisches Land. Wuppertal is known for its steep slopes, its woods and parks, and its suspension railway, the Wuppertal Schwebebahn. It is the greenest city in Germany, with two-thirds green space of the total municipal area. From any part of the city, it is only a ten-minute walk to one of the public parks or woodland paths. In the 18th and 19th centuries, the Wupper valley was one of the largest industrial regions of continental Europe.

The increasing demand for coal from the textile mills and blacksmith shops encouraged the expansion of the nearby Ruhrgebiet. Wuppertal still is a major industrial centre, being home to industries such as textiles, metallurgy, chemicals, pharmaceuticals, electronics, automobiles, rubber, vehicles and printing equipment. Aspirin originates from Wuppertal, patented in 1897 by Bayer, as does the Vorwerk-Kobold vacuum cleaner.The Wuppertal Institute for Climate, Environment and Energy and the European Institute for International Economic Relations are located in the city.

Source: Wikipedia

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El retablo de maese Pedro (Master Peter's Puppet Show) is a puppet-opera in one act with a prologue and epilogue, composed by Manuel de Falla to a Spanish libretto based on an episode from Don Quixote by Miguel de Cervantes. The libretto is an abbreviation of chapter 26 of the second part of Don Quixote, with some lines added from other parts of the work. Falla composed this opera "in devoted homage to the glory of Miguel de Cervantes" and dedicated it to the Princess de Polignac, who commissioned the work.

Because of its brief length by operatic standards (about 27 minutes), its very challenging part for a boy opera performer (who has by far the most lines), and its use of puppets, it is not part of the standard operatic repertoire. Otto Mayer-Serra has described this opera as a work where Falla reached beyond "Andalusianism" for his immediate musical influence and colour and began the transition into the "Hispanic neo-classicism" of his later works.

Source: Wikipedia