Vladivostok vs El Torreón

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Vladivostok (Russian: Владивосто́к, IPA: [vlədʲɪvɐˈstok] (listen)) is the largest city and the administrative centre of Primorsky Krai, Russia. The city is located around the Golden Horn Bay on the Pacific Ocean, covering an area of 331.16 square kilometres (127.86 square miles), with a population of 606,561 residents, up to 812,319 residents in the urban agglomeration. Vladivostok is the second-largest city in the Far Eastern Federal District, as well as the Russian Far East. The city was founded in 1860 as a Russian military outpost after the Treaty of Aigun and the Convention of Peking with the Qing dynasty. In 1872, the main Russian naval base on the Pacific Ocean was transferred to the city, and thereafter Vladivostok began to grow. After the outbreak of the Russian Revolution in 1917, Vladivostok was occupied in 1918 by foreign troops, the last of whom were not withdrawn until 1922, by that time the anti-revolutionary White Army forces in Vladivostok promptly collapsed, and Soviet power was established in the city.

After the dissolution of the Soviet Union, Vladivostok became the administrative centre of Primorsky Krai. Vladivostok is the largest Russian port on the Pacific Ocean, and the chief economic, scientific and cultural centre of the Russian Far East, as well as an important tourism centre in Russia. As the terminus of the Trans-Siberian Railway, the city was visited by over 3 million tourists in 2017. The city is the administrative centre of the Far Eastern Federal District, and is the home to the headquarters of the Pacific Fleet of the Russian Navy. For its unique geographical location, and its European culture, the city is called "Europe in Asia". Many foreign consulates and businesses have offices in Vladivostok.

Source: Wikipedia

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El retablo de maese Pedro (Master Peter's Puppet Show) is a puppet-opera in one act with a prologue and epilogue, composed by Manuel de Falla to a Spanish libretto based on an episode from Don Quixote by Miguel de Cervantes. The libretto is an abbreviation of chapter 26 of the second part of Don Quixote, with some lines added from other parts of the work. Falla composed this opera "in devoted homage to the glory of Miguel de Cervantes" and dedicated it to the Princess de Polignac, who commissioned the work.

Because of its brief length by operatic standards (about 27 minutes), its very challenging part for a boy opera performer (who has by far the most lines), and its use of puppets, it is not part of the standard operatic repertoire. Otto Mayer-Serra has described this opera as a work where Falla reached beyond "Andalusianism" for his immediate musical influence and colour and began the transition into the "Hispanic neo-classicism" of his later works.

Source: Wikipedia