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São Gabriel vs. El Torreón - Comparison of sizes
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São Gabriel
El Torreón

São Gabriel vs El Torreón

São Gabriel
El Torreón
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São Gabriel

State

Country

Capital
Population 60508

Informations

Gabriel Fernando de Jesus (born 3 April 1997) is a Brazilian professional footballer who plays as a forward for Premier League club Manchester City and the Brazil national team. Jesus began his career at Palmeiras. He was voted the best newcomer of the 2015 Campeonato Brasileiro Série A, a year in which he also helped his team win the Copa do Brasil. The following year he was named the player of the season as Palmeiras won their first national league title in 22 years. He joined Manchester City in January 2017 for a transfer fee of €32 million, and won the Premier League in 2018, 2019 and 2021, the EFL Cup in 2018, 2020 and 2021, and the FA Cup in 2019.



After winning 21 caps and scoring seven goals at youth level, including reaching the final of the 2015 FIFA U-20 World Cup and winning an Olympic gold medal at the 2016 Summer Olympics, Jesus made his senior debut for Brazil in September 2016, and was part of the squad that took part at the 2018 FIFA World Cup, later also participating at the Copa América in 2019 and 2021, winning the former tournament.

Source: Wikipedia
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El Torreón

State

Country

Capital
Population 0

Informations

El retablo de maese Pedro (Master Peter's Puppet Show) is a puppet-opera in one act with a prologue and epilogue, composed by Manuel de Falla to a Spanish libretto based on an episode from Don Quixote by Miguel de Cervantes. The libretto is an abbreviation of chapter 26 of the second part of Don Quixote, with some lines added from other parts of the work. Falla composed this opera "in devoted homage to the glory of Miguel de Cervantes" and dedicated it to the Princess de Polignac, who commissioned the work.



Because of its brief length by operatic standards (about 27 minutes), its very challenging part for a boy opera performer (who has by far the most lines), and its use of puppets, it is not part of the standard operatic repertoire. Otto Mayer-Serra has described this opera as a work where Falla reached beyond "Andalusianism" for his immediate musical influence and colour and began the transition into the "Hispanic neo-classicism" of his later works.

Source: Wikipedia

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