Santa vs Opera

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Santa Claus, also known as Father Christmas, Saint Nicholas, Saint Nick, Kris Kringle, or simply Santa, is a character from legends originating in Western Christian culture who is said to bring gifts on Christmas Eve to well-behaved children or coal for naughty children. The modern character of Santa Claus was based on traditions surrounding the historical Saint Nicholas (a fourth-century Greek bishop and gift-giver of Myra), the British figure of Father Christmas, and the Dutch figure of Sinterklaas (also based on Saint Nicholas). Like other gift-bearing figures of the season, Santa Claus also absorbed elements of the Germanic deity Wodan, who was associated with the pagan midwinter event of Yule and led the Wild Hunt through the sky. Santa Claus is generally depicted as a portly, jolly, white-bearded man, often with spectacles, wearing a red coat with white fur collar and cuffs, white-fur-cuffed red trousers, red hat with white fur, and black leather belt and boot, carrying a bag full of gifts for children. This image became popular in the United States and Canada in the 19th century due to the significant influence of the 1823 poem "A Visit from St.

Nicholas." Caricaturist and political cartoonist Thomas Nast also played a role in the creation of Santa's image. This image has been maintained and reinforced through song, radio, television, children's books, films, and advertising. In modern folklore, Santa Claus is said to make lists of children throughout the world. He categorizes them according to their behavior. He then sets out to deliver presents, including toys and candy, to all of the well-behaved children in the world. Misbehaving children receive coal on the night of Christmas Eve. Santa Claus is said to accomplish this feat with the aid of his elves, who make the toys in his workshop at the North Pole. Santa Claus's flying reindeer are also said to provide assistance with pulling his sleigh. He is commonly portrayed as living at the North Pole, and laughing in a way that sounds like "ho ho ho".

Source: Wikipedia

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Opera is a form of theatre in which music has a leading role and the parts are taken by singers, but is distinct from musical theatre. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as musical theatre, Singspiel and Opéra comique. In traditional number opera, singers employ two styles of singing: recitative, a speech-inflected style, and self-contained arias. The 19th century saw the rise of the continuous music drama. Opera originated in Italy at the end of the 16th century (with Jacopo Peri's mostly lost Dafne, produced in Florence in 1598) especially from works by Claudio Monteverdi, notably L'Orfeo, and soon spread through the rest of Europe: Heinrich Schütz in Germany, Jean-Baptiste Lully in France, and Henry Purcell in England all helped to establish their national traditions in the 17th century. In the 18th century, Italian opera continued to dominate most of Europe (except France), attracting foreign composers such as George Frideric Handel. Opera seria was the most prestigious form of Italian opera, until Christoph Willibald Gluck reacted against its artificiality with his "reform" operas in the 1760s. The most renowned figure of late 18th-century opera is Wolfgang Amadeus Mozart, who began with opera seria but is most famous for his Italian comic operas, especially The Marriage of Figaro (Le nozze di Figaro), Don Giovanni, and Così fan tutte, as well as Die Entführung aus dem Serail (The Abduction from the Seraglio), and The Magic Flute (Die Zauberflöte), landmarks in the German tradition.

The first third of the 19th century saw the high point of the bel canto style, with Gioachino Rossini, Gaetano Donizetti and Vincenzo Bellini all creating works that are still performed. It also saw the advent of Grand Opera typified by the works of Auber and Meyerbeer. The mid-to-late 19th century was a golden age of opera, led and dominated by Giuseppe Verdi in Italy and Richard Wagner in Germany. The popularity of opera continued through the verismo era in Italy and contemporary French opera through to Giacomo Puccini and Richard Strauss in the early 20th century. During the 19th century, parallel operatic traditions emerged in central and eastern Europe, particularly in Russia and Bohemia. The 20th century saw many experiments with modern styles, such as atonality and serialism (Arnold Schoenberg and Alban Berg), Neoclassicism (Igor Stravinsky), and Minimalism (Philip Glass and John Adams). With the rise of recording technology, singers such as Enrico Caruso and Maria Callas became known to much wider audiences that went beyond the circle of opera fans. Since the invention of radio and television, operas were also performed on (and written for) these media. Beginning in 2006, a number of major opera houses began to present live high-definition video transmissions of their performances in cinemas all over the world. Since 2009, complete performances can be downloaded and are live streamed.

Source: Wikipedia