Opera vs Łódź

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Opera is a form of theatre in which music has a leading role and the parts are taken by singers, but is distinct from musical theatre. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as musical theatre, Singspiel and Opéra comique. In traditional number opera, singers employ two styles of singing: recitative, a speech-inflected style, and self-contained arias. The 19th century saw the rise of the continuous music drama. Opera originated in Italy at the end of the 16th century (with Jacopo Peri's mostly lost Dafne, produced in Florence in 1598) especially from works by Claudio Monteverdi, notably L'Orfeo, and soon spread through the rest of Europe: Heinrich Schütz in Germany, Jean-Baptiste Lully in France, and Henry Purcell in England all helped to establish their national traditions in the 17th century. In the 18th century, Italian opera continued to dominate most of Europe (except France), attracting foreign composers such as George Frideric Handel. Opera seria was the most prestigious form of Italian opera, until Christoph Willibald Gluck reacted against its artificiality with his "reform" operas in the 1760s. The most renowned figure of late 18th-century opera is Wolfgang Amadeus Mozart, who began with opera seria but is most famous for his Italian comic operas, especially The Marriage of Figaro (Le nozze di Figaro), Don Giovanni, and Così fan tutte, as well as Die Entführung aus dem Serail (The Abduction from the Seraglio), and The Magic Flute (Die Zauberflöte), landmarks in the German tradition.

The first third of the 19th century saw the high point of the bel canto style, with Gioachino Rossini, Gaetano Donizetti and Vincenzo Bellini all creating works that are still performed. It also saw the advent of Grand Opera typified by the works of Auber and Meyerbeer. The mid-to-late 19th century was a golden age of opera, led and dominated by Giuseppe Verdi in Italy and Richard Wagner in Germany. The popularity of opera continued through the verismo era in Italy and contemporary French opera through to Giacomo Puccini and Richard Strauss in the early 20th century. During the 19th century, parallel operatic traditions emerged in central and eastern Europe, particularly in Russia and Bohemia. The 20th century saw many experiments with modern styles, such as atonality and serialism (Arnold Schoenberg and Alban Berg), Neoclassicism (Igor Stravinsky), and Minimalism (Philip Glass and John Adams). With the rise of recording technology, singers such as Enrico Caruso and Maria Callas became known to much wider audiences that went beyond the circle of opera fans. Since the invention of radio and television, operas were also performed on (and written for) these media. Beginning in 2006, a number of major opera houses began to present live high-definition video transmissions of their performances in cinemas all over the world. Since 2009, complete performances can be downloaded and are live streamed.

Source: Wikipedia

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Łódź (Polish: [wutɕ] (listen)), written in English as Lodz, is the third-largest city in Poland and a former industrial centre. Located in the central part of the country, it has a population of 679,941 (2019). It is the capital of Łódź Voivodeship, and is located approximately 120 kilometres (75 mi) south-west of Warsaw. The city's coat of arms is an example of canting, as it depicts a boat (łódź in Polish), which alludes to the city's name. Łódź was once a small settlement that first appeared in 14th-century records. Despite being granted town rights in 1423, it remained the private property of the Kuyavian bishops and clergy until the late 18th century. The Second Industrial Revolution brought rapid growth in textile manufacturing and in population due to the inflow of migrants, notably Germans and Jews. Ever since the industrialization of the area, the city has struggled with multinationalism and social inequalities, which were documented in the novel The Promised Land by Nobel Prize-winning author Władysław Reymont. The contrasts greatly reflected on the architecture of the city, where luxurious mansions coexisted with redbrick factories and dilapidated tenement houses.

The industrial development and demographic surge made Łódź one of the largest cities in Poland. Under the German occupation during World War II, Łódź was briefly renamed to Litzmannstadt in honour of Karl Litzmann. The city's large Jewish population was forced into a walled zone known as the Łódź Ghetto, from which they were sent to German concentration and extermination camps. The city itself sustained insignificant damage during the war and became Poland's temporary seat of power in 1945. Łódź experienced a sharp demographic and economic decline after 1989. It was only in the 2010s that the city began to experience revitalization of its neglected downtown area. Łódź is ranked by the Globalization and World Cities Research Network on the “Sufficiency” level of global influence and is internationally known for its National Film School, a cradle for the most renowned Polish actors and directors, including Andrzej Wajda and Roman Polanski. In 2017, the city was inducted into the UNESCO Creative Cities Network and named UNESCO City of Film.

Source: Wikipedia