Liberty vs El Torreón

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Broadly speaking, liberty is the ability to do as one pleases. It is a synonym for the word freedom. In modern politics, liberty is the state of being free within society from control or oppressive restrictions imposed by authority on one's way of life, behaviour, or political views. In philosophy, liberty involves free will as contrasted with determinism. In theology, liberty is freedom from the effects of "sin, spiritual servitude, [or] worldly ties". Sometimes liberty is differentiated from freedom by using the word "freedom" primarily, if not exclusively, to mean the ability to do as one wills and what one has the power to do; and using the word "liberty" to mean the absence of arbitrary restraints, taking into account the rights of all involved. In this sense, the exercise of liberty is subject to capability and limited by the rights of others. Thus liberty entails the responsible use of freedom under the rule of law without depriving anyone else of their freedom.

Freedom is more broad in that it represents a total lack of restraint or the unrestrained ability to fulfill one's desires. For example, a person can have the freedom to murder, but not have the liberty to murder, as the latter example deprives others of their right not to be harmed. Liberty can be taken away as a form of punishment. In many countries, people can be deprived of their liberty if they are convicted of criminal acts. The word "liberty" is often used in slogans, such as "life, liberty, and the pursuit of happiness" or "Liberty, Equality, Fraternity".Liberty originates from the Latin word libertas, derived from the name of the goddess Libertas, who, along with the Goddess of Liberty, usually portrays the concept, and the archaic Roman god Liber.

Source: Wikipedia

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El retablo de maese Pedro (Master Peter's Puppet Show) is a puppet-opera in one act with a prologue and epilogue, composed by Manuel de Falla to a Spanish libretto based on an episode from Don Quixote by Miguel de Cervantes. The libretto is an abbreviation of chapter 26 of the second part of Don Quixote, with some lines added from other parts of the work. Falla composed this opera "in devoted homage to the glory of Miguel de Cervantes" and dedicated it to the Princess de Polignac, who commissioned the work.

Because of its brief length by operatic standards (about 27 minutes), its very challenging part for a boy opera performer (who has by far the most lines), and its use of puppets, it is not part of the standard operatic repertoire. Otto Mayer-Serra has described this opera as a work where Falla reached beyond "Andalusianism" for his immediate musical influence and colour and began the transition into the "Hispanic neo-classicism" of his later works.

Source: Wikipedia