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Košice vs. El Torreón - Comparison of sizes
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Košice
El Torreón

Košice vs El Torreón

Košice
El Torreón
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Košice

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Košice (UK: KOSH-it-sə, Slovak: [ˈkɔʃitsɛ] (listen); German: Kaschau; Hungarian: Kassa) is the largest city in eastern Slovakia. It is situated on the river Hornád at the eastern reaches of the Slovak Ore Mountains, near the border with Hungary. With a population of approximately 240,000, Košice is the second-largest city in Slovakia, after the capital Bratislava. Being the economic and cultural centre of eastern Slovakia, Košice is the seat of the Košice Region and Košice Self-governing Region, the Slovak Constitutional Court, three universities, various dioceses, and many museums, galleries, and theatres. In 2013 Košice was the European Capital of Culture, together with Marseille, France.



Košice is an important industrial centre of Slovakia, and the U.S. Steel Košice steel mill is the largest employer in the city. The town has extensive railway connections and an international airport. The city has a preserved historical centre which is the largest among Slovak towns. There are heritage protected buildings in Gothic, Renaissance, Baroque, and Art Nouveau styles with Slovakia's largest church: the St. Elisabeth Cathedral. The long main street, rimmed with aristocratic palaces, Catholic churches, and townsfolk's houses, is a thriving pedestrian zone with boutiques, cafés, and restaurants. The city is known as the first settlement in Europe to be granted its own coat-of-arms.

Source: Wikipedia
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El Torreón

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El retablo de maese Pedro (Master Peter's Puppet Show) is a puppet-opera in one act with a prologue and epilogue, composed by Manuel de Falla to a Spanish libretto based on an episode from Don Quixote by Miguel de Cervantes. The libretto is an abbreviation of chapter 26 of the second part of Don Quixote, with some lines added from other parts of the work. Falla composed this opera "in devoted homage to the glory of Miguel de Cervantes" and dedicated it to the Princess de Polignac, who commissioned the work.



Because of its brief length by operatic standards (about 27 minutes), its very challenging part for a boy opera performer (who has by far the most lines), and its use of puppets, it is not part of the standard operatic repertoire. Otto Mayer-Serra has described this opera as a work where Falla reached beyond "Andalusianism" for his immediate musical influence and colour and began the transition into the "Hispanic neo-classicism" of his later works.

Source: Wikipedia

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